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Prague Spring Festival 2012

30 May 2012, 20:00

Rudolfinum Hall, Prague

Jakub Hrůša conducts Beethoven's opera Fidelio at the Prague Spring Festival

Prague Philharmonia
Schukoff Nikolaj - tenor
Rootering Jan-Hendrik - bass-baritone
Kněžíková Kateřina - soprano
Plachetka Adam - bass-baritone
Carol Wilson - soprano

Prague Philharmonic Choir

Press release

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New 5 ***** review of The Turn of the Screw in Musical Criticism

25 August 2011

‘It is a musical delight and an absolute must-see. Under the inspired baton of Jakub Hrusa the members of the London Philharmonic Orchestra rose magnificently to the occasion. Orchestral sound was focused, alert, sensuous whenever scene-painting was required, jagged and brooding whenever the ghosts were making their presence felt. The screw turned, and with imperceptible adjustments to dynamic levels and tone production, the orchestra described what was happening. Shattering and exhilarating at the same time.’

Mike Reynolds, Musical Criticism.com

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International Martinů Circle

August 2011

Jakub Hrůša has become a President of the International Martinů Circle.

The IMC was established in 2005 at the Bohuslav Martinu Founda-tion and Institute. The society associates Martinu lovers and fans, scholars, and performers all over the world.

www.martinu.cz

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The Turn of the Screw - 5 Stars Review in The Telegraph

12 August 2011

'There's not a dud move in this Here is Britten’s supremely crafted operatic masterpiece – not a dud moment or false move – in a shatteringly powerful performance of such musical and theatrical distinction that I scar-cely know where to begin appor-tioning praise. Perhaps the conductor (...).'

Rupert Christiansen, The Telegraph

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The Turn of the Screw - Review in The Guardian

12 August 2011

The four star review of the Glyndebourne's opera production The Turn of the Screw in The Guardian.

Martin Kettle, The Guardian

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The Turn of the Screw - Review in The Stage

12 August 2011

Review of The Turn of the Screw which has ranked the production as the one of the festival’s finest current productions.

George Hall, The Stage

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